INTRODUCTION

Welcome to the Comic Artist Reference Library. I originally created this as a place to store artist's images that inspire me when doing my own comic book work. Hopefully it will be useful to you as well. The nature of this site is not to include every comic book artist ever known, and there are dozens if not hundreds of tremendously talented artists whose work will not be featured here, but my goal in being so selective is to help others to discover artists and images that will help unlock their own creativity and introduce them to work they were perhaps unfamiliar with before. This type of thing is always a "work in progress", so please feel free to e-mail me suggestions, pictures, or anything that might help it to be more useful. Thanks. -Eric

Gilbert Hernandez

The first story I ever read from Gilbert Hernandez was "Holidays in the Sun" and it was truly a revelation to my young mind. I was by no means a very sheltered youth, but up to that point I had never read a comic story that carried such an intense and serious weight to it. Of course I had seen various issues of "Heavy Metal" and other "adult" fantasy comics, but this wasn't just a story with some naked girl parading around with a sword. This was something altogether different. It was unrelenting and visceral. There was no redemption or emotional liberation. It was a story with life. It was real. The second story I read by Beto, "An American in Palomar" confirmed my suspicions; Gilbert Hernandez is a genius. And he has since proven this to me over and over again.


Although they are completely different kinds of story-tellers and artists, it seems inevitable to compare Gilbert and his brother Jaime. Gilbert is much more of a traditional cartoonist, making use of symbol and symbolic expression much more regularly. Because of this, Gilbert has more of a "fun" sense to many of his stories. On the other hand, Gilbert's stories are often more emotionally gripping.



I love the homage to Archie  in this picture.



Starting in the late 80s and for a number of years, there was a trend among the more literary cartoonists to marginalize the impact of super heroes and their place in the comic book reader's growing experience and love for the medium. I never got this sense from either of the Hernandez Brothers as they have periodically offered up these dramatic homages to the genre. I can't help but wonder if some author over at Marvel saw this cover and came up with the idea for the Cable and Hope story.




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